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| 001 | 101807 | ||
| 003 | KnowledgeUnlatched | ||
| 005 | 20210303105301.0 | ||
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| 007 | cr u|||||||||| | ||
| 008 | 210129p20152018mau o u00| u eng d | ||
| 037 | _5BiblioBoard | ||
| 245 | 0 | 0 |
_aFirst Words _bOn Dostoevsky's Introductions / _cLewis Bagby. |
| 020 | _a9781618116819 | ||
| 029 | 1 | _ahttps://library.biblioboard.com/ext/api/media/a0737910-91af-4a5d-9776-aaee0037d284/assets/thumbnail.jpg | |
| 040 |
_aScCtBLL _cScCtBLL |
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| 100 | 1 |
_aBagby, Lewis _eauthor. |
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| 264 | 1 | _bAcademic Studies Press, | |
| 300 | _a1 online resource (222 p.) | ||
| 506 | 0 |
_aAccess copy available to the general public. _fUnrestricted _2star |
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| 520 | _aDostoevsky attached introductions to his most challenging narratives, including Notes from the House of the Dead, Notes from Underground, The Devils, The Brothers Karamazov, and A Gentle Creature. Despite his clever attempts to call his readers' attention to these introductions, they have been neglected as an object of study for over 150 years. That oversight is rectified in First Words, the first systematic study of Dostoevskyäó»s introductions. Using Genette's typology of prefaces and Bakhtin's notion of multiple voices, Lewis Bagby reveals just how important Dostoevsky's first words are to his fiction. Dostoevsky's ruses, verbal winks, and backward glances indicate a lively and imaginative author at earnest play in the field of literary discourse. | ||
| 588 | 0 | _aDescription based on print version record. | |
| 590 | _aKU Open Services | ||
| 650 | 7 |
_aLiterary Criticism / Russian & Former Soviet Union _2bisacsh |
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| 650 | 0 |
_aLiterature _xHistory and criticism |
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| 655 | 0 | _aElectronic books. | |
| 758 |
_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb |
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_uhttps://openresearchlibrary.org/content/a0737910-91af-4a5d-9776-aaee0037d284 _zView this content on Open Research Library. _70 |
| 999 |
_c34072 _d34072 |
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