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001			100102
003			KnowledgeUnlatched
005			20210303105313.0
006			m o d
007			cr u||||||||||
008			210129p20172018ne o u00| u eng d
035			_a(OCoLC)993581064
037			_5BiblioBoard
245	0	0	_aCinema, Trance and Cybernetics _cUte Holl.
020			_a9789048523481
029	1		_ahttps://library.biblioboard.com/ext/api/media/baaebd36-ae6d-4211-a4e9-bc87473948f2/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
100	1		_aHoll, Ute _eauthor.
264		1	_bAmsterdam University Press,
300			_a1 online resource (326 p.)
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
520			_aUte Holl explores cinema as a cultural technique of trance, unconsciously transforming everyday spatio-temporal perception. The archaeology of experimental and anthropological cinema leads into psycho-physiological laboratories of the 19th century. Through personal and systematic catenations, avant-garde filmmaking is closely linked to the emerging aesthetics of feedback in cybernetic models of the mind developed at the same time. Holl analyses three major fields of experimental and anthropological filmmaking: the Soviet avant-garde with Dziga Vertov and his background in Russian psycho-reflexology and theory of trance; Jean Rouch and his theory of cine-trance and the feed-back; and the New American Cinema with Maya Deren and Gregory Bateson conceptualising the organisation of time, space, movement and feedback trance in anthropological filmmaking.
588	0		_aDescription based on print version record.
590			_aKU Select 2016 Front List Collection
650		7	_aPerforming Arts / Film / History & Criticism _2bisacsh
650		7	_aLanguage Arts & Disciplines / Communication Studies _2bisacsh
650		0	_aLanguage arts
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/baaebd36-ae6d-4211-a4e9-bc87473948f2 _zView this content on Open Research Library. _70
999			_c34116 _d34116