000			02283nam a22003857a 4500
001			100370
003			KnowledgeUnlatched
005			20210303105317.0
006			m o d
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008			210129p20112018gw o u00| u eng d
035			_a(OCoLC)984751496
037			_5BiblioBoard
245	0	4	_aThe Origins of Western Notation _cConstantin Floros, Neil Moran.
020			_a9783631615591
029	1		_ahttps://library.biblioboard.com/ext/api/media/9eff53e3-c684-4175-9f65-26938fb80dc1/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
100	1		_aFloros, Constantin _eauthor.
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
700	1		_aMoran, Neil _etranslator.
264		1	_bPeter Lang International Academic Publishers,
300			_a1 online resource (423 p.)
520			_aModern music notation developed out of the so-called square notation and this out of the Latin neumes. The question of where these neumes came from has long been the subject of scholarly debate. As the author demonstrated in his three-volume Universale Neumenkunde published in German in 1970, there is a very close relationship between the Paleo-Byzantine notation and the Latin neumes. Although the study aroused a great deal of dispute, more recent studies have revealed that the relevance of the Neumenkunde remains essentially unchallenged after 40 years. Those path-breaking research results on the relationship of the Greek and Latin notational systems are now available for the first time in a completely revised and augmented English translation.
588	0		_aDescription based on print version record.
590			_aKU Select 2016 Backlist Collection
650		7	_aMusic / History & Criticism _2bisacsh
650		7	_aMusic _2bisacsh
650		0	_aMusic
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/9eff53e3-c684-4175-9f65-26938fb80dc1 _zView this content on Open Research Library. _70
999			_c34128 _d34128