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001			100296
003			KnowledgeUnlatched
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008			210129p20132018xxk o u00| u eng d
035			_a(OCoLC)1030816396
037			_5BiblioBoard
245	0	0	_aMusic and Levels of Narration in Film _cHeldt Guido.
020			_a9781841506258
029	1		_ahttps://library.biblioboard.com/ext/api/media/8f5a60a0-c126-4071-80cb-73141a0afb56/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
100	1		_aGuido, Heldt _eauthor.
264		1	_bIntellect Ltd,
300			_a1 online resource.
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
520			_aThis is the first book-length study of the narratology of film music, and an indispensable resource for anyone researching or studying film music or film narratology. It surveys the so far piecemeal discussion of narratological concepts in film music studies, and tries to (cautiously) systematize them, and to expand and refine them with reference to ideas from general narratology and film narratology (including contributions from German-language literature less widely known in Anglophone scholarship). The book goes beyond the current focus of film music studies on the distinction between diegetic and nondiegetic music (music understood to be or not to be part of the storyworld of a film), and takes into account different levels of narration: from the extrafictional to 'focalizations' of subjectivity, and music's many and complex movements between them.
588	0		_aDescription based on print version record.
590			_aKU Select 2016 Backlist Collection
650		7	_aPerforming Arts / Film / History & Criticism _2bisacsh
650		0	_aPerforming arts
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/8f5a60a0-c126-4071-80cb-73141a0afb56 _zView this content on Open Research Library. _70
999			_c34135 _d34135