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| 001 | 100517 | ||
| 003 | KnowledgeUnlatched | ||
| 005 | 20210303105327.0 | ||
| 006 | m o d | ||
| 007 | cr u|||||||||| | ||
| 008 | 210129p20132018gw o u00| u eng d | ||
| 035 | _a(OCoLC)903974155 | ||
| 037 | _5BiblioBoard | ||
| 245 | 0 | 0 |
_aDoes War Belong in Museums? _bThe Representation of Violence in Exhibitions / _cWolfgang Muchitsch. |
| 020 | _a9783839423066 | ||
| 029 | 1 | _ahttps://library.biblioboard.com/ext/api/media/6f3f7dda-b83c-4942-909c-916a93cbdb65/assets/thumbnail.jpg | |
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_aScCtBLL _cScCtBLL |
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| 506 | 0 |
_aAccess copy available to the general public. _fUnrestricted _2star |
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| 700 | 1 |
_aMuchitsch, Wolfgang _eeditor. |
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| 264 | 1 | _btranscript Verlag, | |
| 300 | _a1 online resource (225 p.) | ||
| 520 | _aPresentations of war and violence in museums generally oscillate between the fascination of terror and its instruments and the didactic urge to explain violence and, by analysing it, make it easier to handle and prevent. The museums concerned also have to face up to these basic issues about the social and institutional handling of war and violence. Does war really belong in museums? And if it does, what objectives and means are involved? Can museums avoid trivializing and aestheticising war, transforming violence, injury, death and trauma into tourist sights? What images of shock or identification does one generate â€" and what images would be desirable? | ||
| 588 | 0 | _aDescription based on print version record. | |
| 590 | _aKU Select 2016 Backlist Collection | ||
| 650 | 7 |
_aArt / Museum Studies _2bisacsh |
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| 650 | 7 |
_aHistory _2bisacsh |
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| 650 | 0 | _aArts | |
| 655 | 0 | _aElectronic books. | |
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_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb |
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| 856 | 4 | 0 |
_uhttps://openresearchlibrary.org/content/6f3f7dda-b83c-4942-909c-916a93cbdb65 _zView this content on Open Research Library. _70 |
| 999 |
_c34155 _d34155 |
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