MARC details
| 000 -LEADER |
| fixed length control field |
05095cam a22004214a 4500 |
| 001 - CONTROL NUMBER |
| control field |
muse87164 |
| 003 - CONTROL NUMBER IDENTIFIER |
| control field |
MdBmJHUP |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
| control field |
20210127151746.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
| fixed length control field |
m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
| fixed length control field |
cr||||||||nn|n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
| fixed length control field |
200611s nyu o 00 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
| Canceled/invalid LC control number |
2019474063 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| International Standard Book Number |
9780692373880 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
| Canceled/invalid ISBN |
0692373888 |
| 035 ## - SYSTEM CONTROL NUMBER |
| System control number |
(OCoLC)1164531133 |
| 040 ## - CATALOGING SOURCE |
| Original cataloging agency |
MdBmJHUP |
| Transcribing agency |
MdBmJHUP |
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
| Classification number |
PR9369.4.B |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
| Personal name |
Bowker, Matthew H., |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
| Title |
Escargotesque, or, What Is Experience |
| Statement of responsibility, etc. |
M.H. Bowker. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Name of producer, publisher, distributor, manufacturer |
BABEL Working Group, |
| 264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
| Name of producer, publisher, distributor, manufacturer |
Project MUSE, |
| 300 ## - PHYSICAL DESCRIPTION |
| Extent |
1 online resource (1 online resource 116 pages) : |
| Other physical details |
illustrations |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
| Bibliography, etc. note |
Includes bibliographical references (pages 95-99). |
| 505 0# - FORMATTED CONTENTS NOTE |
| Formatted contents note |
Forecasts -- Charrettes -- Globus hystericus -- Encryption -- (Re)petition -- Akatalepsia. |
| 506 0# - RESTRICTIONS ON ACCESS NOTE |
| Terms governing access |
Open Access |
| Standardized terminology for access restriction |
Unrestricted online access |
| Source of term |
star |
| 520 ## - SUMMARY, ETC. |
| Summary, etc. |
"In this unflinching, unconventional meditation on the understanding of self and identity, filtered through an ethical struggle with visitation and privilege, M.H. Bowker creates an odd, beautiful song of the self. Chris Abani, author of The Secret History of Las Vegas and The Face: A Cartography of the VoidEscargotesque, M.H. Bowker's restive, memoir-driven meditation on experience, immerses the reader in a mood of sustained contemplative urgency, the peculiarly forceful pull of which inheres, I think, in the unnerving experience of gradually coming to appreciate, with the author, just what a maddening, grasp-slipping Ouroboros of a concept "experience" is--as, e.g., when he cites Freud citing Lichtenberg's joke that "experience consists in experiencing what one does not wish to experience," and we glimpse with him the koanic impossibility, the uncrackable kernel of encrypted (non-? anti-?) wisdom this remarkable book winds sinuous coil on coil around, in dexterously flexible prose (plus the occasionally interspersed pencil-sketch and snatch of verse) that when called on to do so adroitly tone-shifts from assured, Montaignian savoir faire to bursts of Kierkegaardian intensity. Jonathan Callahan, author of The Consummation of Dirk, Winner of the Starcherone Prize for Innovative Fiction"Experience" is a concept paradoxically deployed to accentuate the aconceptual. Although thinking, knowing, reflecting, and analyzing are kinds of experiences, invocations of "experience" typically direct our attention to what is immediate, embodied, unrepresented, unthought, even unthinkable. And yet, whether by learning experience, traumatic experience, life experience, mystical experience, or all of these, we hope most fervently that our experience will teach us, transform us, become part of us. Why do we strive to find, profit from, and possess experience while insisting upon experience's intellectual elusiveness? What do we intend when we petition (and re-petition) experience for truth, for growth, for strength? To whom or to what do we sing when we sing experience's song? Escargotesque, or, What is Experience? asks why both our lived experiences and our mythologies of experience so often fold inward, repeat, return. Departing from his unusual experience of working as a garbage-collector in the West African country of Benin, M.H. Bowker converses with several champions of experience (from Michel de Montaigne to John Dewey, from Soren Kierkegaard to Ralph Waldo Emerson, from Simone Weil to R.D. Laing) to pose radical questions about the intentions and dynamics that guide our quest for experience, intentions and dynamics that are more destructive and more melancholy than celebrants of experience would care to admit. Across Escargotesque's six loosely linear parts, fragments of prose memoir intersect with poetry, sketch art, philosophical reflection, cultural criticism, and psychological examination in ways that both evoke and unsettle the thinking person's experience. Escargotesque both testifies to an experience and reveals surprising fantasies driving the modern and postmodern turn to experience as a source of truth and hope. Such fantasies include the sacredness of even the most violent 'pure experience,' the necessity of supplicating experience's objects, and the ultimate demise of the one who experiences"--https://www.amazon.com/Escargotesque-What-Experience-M-Bowker/dp/0692373888, accessed June 11, 2020. |
| 540 ## - TERMS GOVERNING USE AND REPRODUCTION NOTE |
| Terms governing use and reproduction |
Creative Commons NonCommercial-NoDerivs 3.0 Unported |
| -- |
CC BY-NC-SA 3.0 |
| Uniform Resource Identifier |
<a href="https://creativecommons.org/licenses/by-nc-sa/">https://creativecommons.org/licenses/by-nc-sa/</a> |
| -- |
<a href="http://www.oapen.org/download/?type=document&docid=1004563">http://www.oapen.org/download/?type=document&docid=1004563</a> |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
| Source of description note |
Description based on print version record. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
| Topical term or geographic name entry element |
African literature (English) |
| 655 #7 - INDEX TERM--GENRE/FORM |
| Genre/form data or focus term |
Electronic books. |
| Source of term |
local |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
| Corporate name or jurisdiction name as entry element |
Project Muse. |
| Relator term |
distributor |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
| Uniform title |
Book collections on Project MUSE. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
| Public note |
Full text available: |
| Uniform Resource Identifier |
<a href="https://muse.jhu.edu/book/76480/">https://muse.jhu.edu/book/76480/</a> |